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  • Winnie

    written & produced by George Moorey & Shane Young

     

    artwork by Zariq Rosita Hanif

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    Winnie is my wife's maternal grandmother. She died over a decade ago but if she was alive today she'd be over 100 years of age.

     

    I found some video footage of her chatting to my wife about her childhood and other memories as a young adult.

     

    Winnie was a triplet and one of 17, but only 14 of them made it to adulthood and one of her triplet siblings died when he was 2. She grew up in the forest of Dean, back when the villages there were a long walk away from other towns and villages and were actually surrounded by woods.

     

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    We wrote in the song that she was married on VE day and there's an audio interview of her where she says she did, but according to my wife she was engaged on that day. She wasn't always so clear with her broad forest accent! She did meet her husband at the YMCA though, which is opposite the primary school my youngest son goes to and where my oldest son graduated from in the summer.

     

    I have my own personal memories of Winnie. She was truly one of the most adorable old ladies I have ever met. She had a broad Forest accent and often pronounced words incorrectly, for example she would say "Burnigan" meaning "Birmingham". Every time I took her for a ride in the car for a visit to family she would without fail always comment that our car (at the time a pretty unspectacular and road worn Toyota) was a "nice smooth ride".

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    I remember her telling stories of having to sleep with her twin in the bath because there was no room in the bedrooms when people visited and stayed over. Another tale that sticks out is when she would go scrumping for apples in the nearby orchards. They were spotted and so the children ran away and all the stolen apples that she had put in her knickers fell out as she made her escape!

     

    She was very fond of my wife, her grand-daughter so had a soft spot for me too and the feeling was mutual.

     

    Winnie's song has a ragtime bluegrass vibe which my wife thinks is really suitable style that represents Winnie. I agree totally. Shane and I feel we've made something that sounds authentic. Lucky because it could have gone wrong very easily. It could have been a disastrous pastiche. The key was involving some really great musicians.

  • Winnie was one of triplets

    Graced the Earth from 1917

    They grew up with ten other children

    In the wilds of the Forest of Dean

    A pump in the yard for water

    And the WC outside

    They would strike up a lamp or candle

    To handle the coal-black night

     

    They had no time for flowers

    There were cabbages and spuds to tend

    No lack of work to fill the hours

    At the house in Mile End

    Beef dripping for thruppence

    Stick an apple in yer knickers and go

    Some sugar or some cheese,

    Mr Hooper if you please

    There’s many mouths to feed and funds are low

     

    Winnie and eight sisters

    Had to share a single room to sleep

    At fourteen years they’d be out in the world

    Working to earn their keep.

     

    She began a life of service

    As a housemaid in Cheltenham town

    A pound a month and room and board

    A lifetime away from tumbledown

     

    When Winnie had a half day’s leisure

    She’d watch the ladies on parade

    Walking Pekinese for pleasure

    Along the Cheltenham Promenade.

     

    One day she joined the effort

    When The Great War came to pass

    Making TNT so the Jerries would flee

    This gentle country lass.

     

    She met a chap while dancing

    At the YMCA

    And the lovers married

    On VE Day.

     

    What a priceless romance

    After all the gloom

    Winnie’s voice a melody

    To brighten any room

     

    Winnie, the winsome

    Winnie, the voice of cheer

    Winnie bringing light to the dark and lonely night

    Winnie, live on, my dear

  • Credits

    Written & produced by George Moorey & Shane Young

     

    Shane Young: Lead, Backing & Group Vocals, Drums

    George Moorey: Acoustic Guitar & Group Vocals

    Darragh Cullen: Bass Guitar & Group Vocals

    Gustaf Ljunggren: Piano, banjo, clarinet, Group vocals

    Charlotte Ayrton: Mandolin, Harmonica, Ukulele (?) Group vocals

    Alison Eales: Accordion, Group Vocals

    Sinead McConville: Group Vocals

    Erica McCarthy: Violin

     

    Studio band recorded by David Pick at FFG, Tewkesbury

     

    Further instrumentation recorded by George Moorey and vocals by Shane Young

    Mixed & mastered by George Moorey

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