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  • Douglas

    written & produced by George Moorey & Shane Young

     

    artwork by Zariq Rosita Hanif

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    Douglas is Shane’s wife’s late grandfather. The song was written based on diary entries that Terry,Shane’s father-in-law, provided. It focuses on Douglas’ time as a sailor in the Royal Navy duringwartime. The diary entries are incredible. Terry has made some recordings (which you can listen toon our website) of him reading an entry about the tragedy of two ships that a U-boat sunk while they were all sailing in convoy. This would have affected Douglas for life. He travelled across the Atlantic Sea to New York and Baltimore and into the Artic Sea, where his own ship collided withan iceberg, forcing them to head to the Canadian shore for repairs. The other entry is an accountof trading his navy overcoat – too heavy a garment for the heat of the Mediterranean – swapping itfor musical instruments belonging to Sicilian sailors. It’s a truly fascinating account.

     

    Terry has granted permission for us to publish excerpts from Douglas' diary. He has also made recordings of him reading his dad's diary. Click here to read and listen to these.

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    According to Terry, Douglas was a keen and competent musician. On his return from his posting, Douglas crept back into the family home in the middle of the night and woke everyone up playing “As Time Goes By” from Casablanca on the piano. I threaded the chords from that song into my composition and Shane mirrors the original in his lyrics momentarily.
         

    Shane and I wondered about how to create a chorus to link all these extraordinary events and Iimagined Douglas standing on the deck of his ship at night looking up at the stars which gave Shane the basis for the lyrics in the choruses. Shane was always the perfect choice for the lead vocal on this song and I absolutely adore the textures he creates with his backing vocal layers. I really appreciate Shane’s brush work on the drums, Charlotte’s harmonica solo at the end, and Gustaf’s clever banjo parts, all of which are superb. It’s a long piece but we felt we had to include all the most interesting things we had learned from Doug’s diaries.
              

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    Shane and I wondered about how to create a chorus to link all these extraordinary events and Iimagined Douglas standing on the deck of his ship at night looking up at the stars which gave Shane the basis for the lyrics in the choruses. Shane was always the perfect choice for the lead vocal on this song and I absolutely adore the textures he creates with his backing vocal layers. I really appreciate Shane’s brush work on the drums, Charlotte’s harmonica solo at the end, and Gustaf’s clever banjo parts, all of which are superb. It’s a long piece but we felt we had to include all the most interesting things we had learned from Doug’s diaries.

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    SS Aalsum damaged by an iceberg in the Artic Sea

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    handwritten note on the back of the previous picture

    Use a text section to describe your values, show more info, summarize a topic, or tell a story.

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    SS Aalsum's football team

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    shipmates

  • It was not plain sailing getting the goods through

    Your Bofors gun aimed at nothing and no one - until they found you

    Protect the supplies - fix your eyes on the blue

    Threats from the skies above and the depths beneath you

    But

    You could stand on the deck at night

    And see to the ends of space

    And be sorry for the stars

    So far from this lovely place

     

    At the bars in New York and Baltimore

    Your drinks and your high jinks were paid for

    The uniform opened any door

    It was freedom and fun and friendship you were fighting for

     

    You must remember this, When ice and metal kissed

    Caught her above the waterline

    After repairs the silent prayers

    Two ships fell foul of a U-boat on the prowl

     

    And when the tears have dried

    The fallen far and wide

    They will not be denied

    Till time has up and died

    Sleeping souls sparkle like the dew

    And our freedom is the prize

    And the enemies have their eyes

    On us forgetting you

     

    You could stand on the deck at night

    And see to the ends of space

    And be jealous of the stars

    So far from this ghostly place

     

    Ahoy! Sicilian civilians in a bum boat

    You were two weeks short of your pay and could barely stay afloat

    It was hot, so the trader got your Navy overcoat

    And in return, you got a banjo ukulele - the antidote

     

    You could stand on the deck at night

    And pluck at a gentle pace

    And be jealous of the stars

    So far from concentration face

     

    Your diary showed in Llantony Road

    There was a midnight fright

    You played your piano as loud as you could

    Then came the singing until it was light.

     

    Doug’s home! (After six long years)

    Doug’s home!

    Doug’s home! (Only happy tears)

    Doug’s home!

  • Credits

    Written & produced by George Moorey & Shane Young

     

    Shane Young, Lead & Backing Vocals, Whistling, Drums

    George Moorey: Acoustic Guitar, Piano, Organ, Drumloop, Group Vocals

    Darragh Cullen: Bass Guitar, Guitar Harmonics, Group Vocals

    Gustaf Ljunggren: Guitar Harmonics, Electric Guitar, Banjo, Group Vocals

    Charlotte Ayrton: Ukelele, Harmonica, Group Vocals

    Alison Eales: Group Vocals

    Sinead McConville: Group Vocals 

     

    Studio band recorded by David Pick at FFG, Tewkesbury

     

    Further instrumentation recorded by George Moorey and vocals by Shane Young

    Mixed & mastered by George Moorey

     

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